In 1947, following the second World War, J. Parnell Thomas headed a committee that would begin sniffing out pro-Communist laborers beyond the Government. This committee, the House Committee on Un-American Activities or HUAC, was developed to search for American-Communists before the fighting broke out in Europe. Predominantly, the committee searched through the hearts of America's entertainment, through the film industry.
While coming off a much needed victory in World War II, Hollywood began making Soviet films after the Soviet Union was one of America's allies in the second war. Because the Soviets were a Communist nation during the time, the HUAC reacted uncooperatively with Hollywood and began targeting studios to identify certain "witnesses" to start the naming of names throughout the many creative professionals in Hollywood. A couple of these "witnesses" included Gary Cooper and Ronald Reagan. As an effect, when these witnesses began naming, the committee started a blacklist given to each of the studios in Hollywood. The blacklists would point out numerous writers, directors, and producers to be forced to never return to work with the industry. Considered to be the most famous ten blacklisted creative workers in Hollywood were known as the Hollywood Ten. Among these people included Alvah Bessie, Herbert J. Biberman, Lester Cole, director Edward Dmytryk, Ring Lardner, Jr., John Howard Lawson, Albert Maltz, Samuel Ornitz, Adrian Scott, and Dalton Trumbo. The main goal of these ten workers was to protest and testify the accusations of Communism through Hollywood. However, when none of the blacklists answered the committee's questions, Dmytryk went forth and called out some of his own Hollywood Ten members, explaining that these people "pressured" him to make pro-Communist films. Eventually, each of the ten protesters were added to blacklists created by the studios.
Unfortunately, over 300 writers, actors, producers, and directors were blacklisted in the process. The effects of the Hollywood Ten shedded more light into the eyes of Communism in America and thus almost created a no-need status for the big screen with the later developments of television and radio. Even though the 50's was the start of modern day technology, there were always flaws. Overall, if the Communist takeover succeeded, films like Avatar would have not existed and the culture of American society would have been lost forever.